“ .. THE HOUSE OF TIME makes the onlooker into a participant in the wrestle of the genius with the art of life through experience and the conquest of the irrational. Cyberwarrior Michel from the beginning is a surrealist who through acceptance of the total, uncontrollable adventure is moving into the equally total, uncontrollable and limitless virtuality, the higher form of virtual reality. There he becomes Cyberwarrior Champ by no longer accepting the restrictions coming from slogans and declamations that in the end only make clear that basically all are babbitts. The surreal wading through the mud of the world changes into bathing in the cybernetic gold of virtuality. The pretension of the limits is transformed into bliss of the non-paranoid, the sadistic-masochistic abstraction of relationships into the ecstatic-sensual fusion of souls.
THE HOUSE OF TIME is filled with the carelessness that equally unifies belief and non-belief in the angelic reflex of mortality as it can unify love and music in the immortality of the masculine-feminine myth embedded in the depth-consciousness. Cyberwarrior Michel experiences this myth through the psychic projection of his feminine side in the personifications of Mystery and dream-born Hazel. Through them and other female personifications of his inner world he is able to weld the waking consciousness and the depth-consciousness into a comprehensive whole and thereby becomes Cyberwarrior Champ. On this level his consciousness expands and organic reality, or organicality, becomes one with virtual reality, or virtuality, in the multi-dimensionality of the Timebody. Michel’s aspiration for becoming Cyberwarrior Champ originally was motivated by the desire to gain greater strength for joining the Mars Revolution and to return to his Marsian girlfriend Omega. But by mastering the uncertainty-principle unexpectedly a totally different déjà-vu way of life opens up so that Michel as Cyberwarrior Champ now is able to not only move in a non-linear way through time and to find and begin to comprehend ‘The House Of Time’, but also makes a mysterious ‘Sky-City’ appear in virtuality world which through overlapping is connected with the organic world. Through Sky-City, where Cyberwarrior Champ Michel is establishing a new identity as singer and songwriter, he can, with the help of music and Sky-City Radiogirl Astrid’s hidden messages define the hyper-neurotic condition of the organic and virtual world in a greater consciousness and can begin to change it for the better. In this crucial moment Michel finds the real embodiments of Mystery and Hazel and together with them is forming a band. But in reality it is the unification of soul, dream and future – a unification emanating an energy that is all-surpassing. Good and evil dissolve into the mystery of the Timebody and become the multidimensional happening of the world being right in the middle of a humanitarian, economical and ecological crisis. Organic and virtual love affairs are leading to free movement within the Timebody through which all can be changed. .. ”
– Quote: Michel Montecrossa in the Commentaries about Part One ‘Every Day’ of his ‘The House Of Time’ Metaverse Climate Change Musical in three parts. Read here the full text of the Commentaries – the German version of the Commentaries is here.
Michel Montecrossa invites you to the METAVERSE MOVIE CELEBRATION of ‘The House Of Time’ Courage & Love Climate Change Musical in English language featuring the Metaverse Virtuality and Organicality Fusion World of today and tomorrow in progress. ‘The House of Time’ is Michel Montecrossa’s powerful Metaverse Stream of Consciousness Movie presenting in three parts the reality of a totally new experience that changes the world from within:
Part One ‘Every Moment’ • Part Two ‘Every Day Is The Day’ • Part Three ‘Courage Ride’.
Screening EVERY MONTH on first Saturday • 4 p.m. – 10 p.m. • Filmaur Multimedia House • Munich-Gauting, Danziger Str. 1 • Germany • Phone: ++49-89-850 8555
For the PDF of the House of Time Metaverse Movie Celebration Booklet click here
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